EUROPEAN
HOUSE
Joe
Sachse |
Preis
/ Price :
15.08 €
Bestell-Nr.
/ Purchase Order No. : FMP CD 041
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| Joe
Sachse |
Gibson
guitar with amplifier, flute, screwdriver, plasticbag, guitar case |
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A:
First house (composed by Joe Sachse) |
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01.
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Front
door |
01:57 |
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02.
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Heroes:
Hildebrandt & Poldt´Ubrandt |
08:46 |
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03.
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Remba
Nugro |
04:17 |
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04.
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European
castle |
02:02 |
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05.
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Screwdriver´s
march |
06:15 |
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06.
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An
evening in Gibraltar |
02:56 |
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B:
My window |
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07.
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A
night in Tunesia (Dizzie Gillespie) |
03:15 |
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08.
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Loverman
(Davis - Sherman - Ramirez) |
03:47 |
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09.
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Yama
(Lee Morgan) |
02:24 |
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10.
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Impressions
(John Coltrane) |
03:44 |
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11.
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Nardis
(Miles Davis) |
03:30 |
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12.
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Epistrophy
(Thelonious Monk) |
02:48 |
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13.
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Naima
(John Coltrane) |
04:34 |
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C:
Third house (composed by Joe Sachse) |
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14.
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Houseparty
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05:09 |
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15.
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Revenge
of the sea |
03:33 |
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16.
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Revenge
of the air |
03:53 |
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17.
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The
last battle |
09:22 |
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18.
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Backdoor |
01:13 |
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Total
time: |
74:13 |
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All
music taped as played, no overdubs, no tricks
Recorded by Jost Gebers on August 14 - 16, 1991 at
the FMP-Studio Berlin.
Produced by Jost Gebers
Photos: Dagmar Gebers
Liner
notes: Bert Noglik
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| First
published in November 1991 |
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Excerpt
from the booklet:
(...) JOE SACHSE solo - a synonym for uncompromising drive,
thrilling dynamism and technical brilliance. Whatever SACHSE
puts his hand on reveals such complexity that one gets the
impression he is involved in an exercise of self-duplication.
He embodies both the brilliance of a solo-performer and the
solidity of an accompanist, occasionally confronts himself
as alter ego, enters into self-dialogue and produces orchestral
blankets of sound. (...)
It is his musical language - made up of particles of handed
down tradition and his own ideas - which makes JOE SACHSE
stand out against the tradition of jazz while linking him
with the genre. (...)
The quality of his playing goes beyond the level of technical
perfection and breath-taking tricks. It is the will to communicate
that unites him with the bards of the Blues and classical
Jazz musicians. The musical construction JOE SACHSE builds
before our very ears reveals a strength of a sensitive disposition.
SACHSE constructs mobile architecture of sound, moved by intense
emotion and almost indiscernible vibrations. (…)
This is a live recording with no overdubbing or special effects.
SACHSE´s musical personality can clearly be detected in the
interplay of the rhythmically percussive with harmonious and
melodious elements, often linking and overlapping different
methods and techniques. (…)
The EUROPEAN HOUSE presents us with a fascinating insight
into SACHSE´s workshop of sound. |
Bert
Noglik
Translation: Cristina Crawley
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