BLUE
GOO PARK
Léandre
- Carl |
Preis
/ Price :
15.08 €
Bestell-Nr.
/ Purchase Order No. : FMP CD 052
|
|
 |
| |
 |
| |
|
| Joëlle
Léandre |
double
bass, voice |
| Rüdiger
Carl |
accordion,
clarinet, voice |
| |
|
|
01.
|
Oui-non
(A) |
01:32 |
|
02.
|
Derek
|
01:47 |
|
03.
|
Moondog
in Erkenschwick |
03:05 |
|
04.
|
Fading
Jay Gee |
03:58 |
|
05.
|
Little
R. from little R. |
00:56 |
|
06.
|
Ron
Ronade |
02:00 |
|
07.
|
Von
wo das kommt, da will ich hin |
02:52 |
|
08.
|
1.
Verstörung |
01:55 |
|
09.
|
Tagesmusik
I |
01:07 |
|
10.
|
Danke,
Sozialversicherung |
03:22 |
|
11.
|
Taratata |
03:03 |
|
12.
|
Géant
flandrique |
01:53 |
|
13.
|
Kurische
Könige |
03:14 |
|
14.
|
Hush
me now |
02:10 |
|
15.
|
Montmartre
song |
04:27 |
|
16.
|
2.
Verstörung |
01:37 |
|
17.
|
Abundance-dance
|
03:40 |
|
18.
|
Fatty´s
lullaby |
02:23 |
|
19.
|
Don´t
think it´s a relationship… |
04:08 |
|
20.
|
A
deux, c´est mieux |
03
39 |
|
21.
|
Tagesmusik
II |
04:13 |
|
22.
|
The
worried song |
03:03 |
|
23.
|
Oui-non
(B) |
01:31 |
|
|
Total
time: |
61:30 |
|
Recorded
by Jost Gebers and Holger Scheuermann on July 9 - 10, 1992
in Berlin.
Produced by Jost Gebers
Design/Artwork: Hubert Kiecol
Photos: Dagmar Gebers
Liner
notes: Fredi Bosshard
|
| |
| First
published in October 1993 |
| |
Excerpt
from the booklet:
The recordings were made in July during the ´Workshop Freie
Musik 1992´ in Berlin, a highly reputed festival annually
organised by FMP.
RÜDIGER CARL started off as a tenor saxophonist, then played
the clarinet, and occasionally the accordion more ore less
as a gag. (…) In time RÜDIGER CARL has become an accordionist
and clarinettist who also plays the saxophone. (..) Over the
pas few years compositions, concepts, structuring guidelines,
and pregiven rhythmical formations in music have not only
become more important for RÜDIGER CARL. (…) In JOËLLE LÉANDRE
he has found an ideal partner, has entered into a musical
´folie à deux´. She, who for years has devoted herself equally
to composition (I´m thinking of solo performances of her own
work and of works by John Cage, Giacinto Scelsi, Sylvano Bussotti
and others) and free improvisation, (remember the years spent
with Maggie Nicols, Irène Schweizer, Barre Phillips, Jon Rose
and others) is a performer and singer as well as being a double
bass player - she once referred to her voice as being her
fifth ´string´. . (…) A wanderer between worlds with a rare
intimate, physical, and at the same time kind of love-hate
relationship with her instrument - she bows and plucks it,
strokes and hits it, scrapes away on it and makes it screech
- coaxes unheard of and un-heard tones out of it. (…)
BLUE GOO PARK is an excerpt from a road-movie, by which I
don´t just mean that it is of film length and is very varied.
It is two persons´ conscious ´yes´ for the here and now. Their
ways of life come together, draw near to one another, and
withdraw again - oui/oui, oui/non, non/oui, non/non. (…)
BLUE GOO PARK is music which does not belong to any specific
category, music for a film which has not yet been produced,
but which is created inside our heads whilst listening, Oui!
|
Fredi
Bosshard
Translation: Margaret Neuendorf
|
|