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Produced
by Alberto Braida and Giancarlo Locatelli
for Takla Records (Italy)
Recorded by Fabio Martini on August 29 & 30, 1998
@ the song´s room of Lodi´s Cathedral
Edited and mastered by Umberto Signifredi @ Studio
Opera, Milano
Artwork and design by Enzo De Grandi
Photograph by Boboaugurimartinomarcello
Thanks to: Fabio Martini, Enzo De Grandi, Don Piero
Panzetti, Franco Girardi, Elena Losi, Steve Piccolo
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| Die Takla
Improvising Group ist ein Zusammenschluss von Musikern aus
Mailand und Umgebung, die sich mit Takla Records ein eigenes
Forum geschaffen hat. Mit DICIANNOVE CALEFAZIONI von Alberto
Braida und Giancarlo Locatello legt das Label seine zweite
CD vor. (…) Über dieser mönchisch-kammermusikalischen Goldmacherei
schwebt der Hausgeist von Anton Webern und schwingt Occams
Klinge. |
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Bad
Alchemy 34
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About
this Duo
The
Braida-Locatelli duo was formed in 1996 and focuses both on
improvisation and its relationship with composition. In 1999,
after about three years during which the duo worked on developing
a process of ´subtraction´of musical materials,
they issued a CD of completely improvised pieces entitled
´diciannove calefazioni´ (takla record 2).
In September 2000 the duo made a short tour in Germany (Berlin,
Oberhausen, Cologne). Material recorded during these concerts
will be released on a new CD in spring-summer 2001.
At present the duo, apart from further research and development
of the concept of improvisation and ´instantaneous composition´,
is working on a project on the compositions of Eric Dolphy. |
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Excerpt
from the booklet:
(…) Many of the more traditionalist colleagues usually
think that free improvisation is a sort of lark on the shores
of an endless sea of timbres and frequencies, without any
principle, order or foundation. How can we convince them that
free improvisation means discipline, decisions, choices and
a rigorous exercise of self-control? The problem, in fact,
is quite similar to that of cooking; the result is not improved
by adding more ingredients or increasing their doses, but
by balancing what is available in an inspired way. And this
music is a good example; the ´calefactions´ of Braida and
Locatelli are the result of a precise musical choice, in which
self-indulgence and concessions to ´good common musical sense´
are left behind in favour of a limited, in-depth research
on certain essential musical values. Sounds, silences, ferocious
rips that alternate with a calm pointillism, in a sort of
extreme, very slow-motion counterpoint, are the characteristics
that emerge from the first listenings of these ´Nineteen calefactions´
that flow, rapidly evaporating, as parts of a unified, incessant
vision. But there´s more … discover it for yourselves. |
Fabio
Martini
Translation: Steve Piccolo
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