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Thursday, Nov 3, 7.30 pm
OPENING CONCERT Main Hall / BG
Prof. Dr. Markus Lüpertz and Band / TTT (Germany)
Markus Lüpertz (piano)
Prof. Manfred Schoof (trumpet)
Frank Wollny (bass)
Frank Köllges (drums)
Jesus Canneloni (woodwinds)
Gerd Dudek (woodwinds)
Wolfgang Lackerschmid (vibraphone)
Peter Sandkaulen (g)
This experiment in music and line-up, known as TTT, has a long performing
history but joins forces only on very special occasions for concerts in
all parts of the world.
Fundamental to this experiment are improvised themes deriving from different
jazz eras and styles which evolve a new structure when connected with
ideas from the sphere of painting. All participants, including the listener
as spectator, unfold a tonal image which - due to the action of the means
chosen like instrumental solos or the groove of the rhythm section - is
subject to imminent changes eventually generating a joint and comprehensive
work of art. With each concert a new emotional level and hence a new sound-painting
will be created. It is unique and cannot be repeated.
The only way to preserve it is by means of audio-recording. Not too many
musicians are capable of grasping this task. TTT looks back now to over
three decades of refining and developing this experiment - and is looking
forward to TMM 05 (Frank Wollny).
Thursday, Nov 3, 9.30 pm
CONCERTS / Auditorium / BG
OING - klaffende leere (Germany)
für schlagspieler und materialsack
Hans-Joachim Hespos (composition)
Ulrik Spies (perc)
Commissioned by Akademie der Künste, Berlin 2004.
5 ½ minutes
The composer Hans-Joachim Hespos will be present.
TRIO WING VANE (CH/F/USA)
Urs Leimgruber (ts, ss)
Jacques Demierre (p)
Barre Phillips (b)
Exploring the freedom within musical relationships without resorting
to the usual solutions of sound and gesture, this long-standing trio of
internationally renowned instrumentalists create surprise and sensibility
by interacting not in the conventional sense - they don´t conform
but coalesce. They demonstrate that intensity is not measured in decibels,
but in jolts of alternating currents - alert details charged with significance
in the moment. "They make free music in the best sense of the word
- whatever that might turn out to be" (Art Lange).
SOLO TRUMPET & MORE (USA)
Wadada Leo Smith (tp, flh, comp)
Leo Smith
multi-instrumentalist,
composer,
essayist,
instrument-maker -
a man of our times.
Marion Brown
FURT + EVAN PARKER (GB)
Richard Barrett (computer)
Paul Obermayer (sampling)
Evan Parker (ts, ss)
The duo FURT, founded in 1986 by the British composers Richard Barrett
and Paul Obermayer, focusses on experimental electronic improvisation
since the beginning of the 90´s when new technologies evolved.
Their music acquires much of its power from interacting between free improvisation
and systematical composition with f.e. pre-fixed samples which are substantially
altered and worked upon during the live performance.
With master-reedist Evan Parker they maintain a long-standing collaboration,
also in larger groups.
Friday, Nov 4, 8 pm
CONCERTS Auditorium / BG
FREEDOM & REASON (GB/USA)
John Butcher (ts, ss)
Gino Robair (dr, perc, live electronics)
Berlin debut of San Francisco based percussionist, composer and live-electronicist
Gino Robair in duo with reedist John Butcher, an eminent voice of the
young British improvising/composing music scene who has toured and broadcasted
in over 20 countries. They have often performed together in duo as well
as in trio (with Mya Masaoka f.e.) and extended ensembles. Recordings
of both have appeared also on Rastascan, a label established in the ´70s
by Gino Robair who has also created music for film, television, radio,
Shakespearean theatre, and gamelan. Gino has recorded with Wolfgang Fuchs,
Anthony Braxton, Tom Waits, John Butcher, Otomo Yoshihide, Eugene Chadbourne,
and Terry Riley, and performed with John Zorn, Nina Hagen, and many others.
SOLO-TOMBAK (IRAN/D)
Mohammad Reza Mortazavi (tombak, daf)
Born 1978 in Isfahan/Iran, Mohammad Reza Mortazavi began his musical training
at the city´s music academy at the age of six, studying with master
Hossein Purabutaleb. He has not only created new styles and developed
extended techniques for the classical percussion instrument tombak, which
he successfully introduced in Iran and abroad as solo instrument, freeing
it from its traditional role as a mere accompanying instrument, but also
seeks to "apply these techniques to the purpose of communicating
new spiritual contents and musical sensations" (M.R. Mortazavi).
MAYAS / NUTTERS / OLSEN / GALVEZ QUARTET (NL/Norway/Spain)
Magda Mayas (p)
Carlos Galvez Taroncher (bcl)
Koen Nutters (b)
Morten J. Olsen (dr, perc)
This quartet, founded by the young pianist Magda Mayas while still studying
with Georg Graewe at Berlin´s Music Academy Hanns Eisler, plays
real time compositions unveiling a universe of interrelated sounds and
pitches, thus creating new structures and elements within each piece.
They have been playing together for three years, refining their music
by rehearsing and discussing the material they inject and the strategies
of interplay influencing and changing their music slowly over the years.
Their music has been influenced by the sound logic of Helmut Lachenmann,
the forms of Matthias Spahlinger and the soundworld of Morton Feldman
and Anton Webern.
After having performed in Amsterdam, Cologne and Düsseldorf this
is their first appearance at TMM.
TOUCH THE EARTH - BREAK THE SHELLS
Wadada Leo Smith (tp, flh)
Barre Phillips (b)
Günter ´Baby´ Sommer (dr, perc)
´Touch the Earth´ and ´ Break the Shells´, eminent
trio-recordings by Leo Wadada Smith, Peter Kowald and Günter ´Baby´
Sommer (1979/1981), have written music history. "Like a little tribe
they got together, a rare ethno group with different backgrounds. In a
mini-van they toured the impassable areas of the culture industry, turned
up to do concerts here and there, playing a kind of music, which left
those stunned, who committed themselves to listen. With their feet on
the ground, but taking off just a little bit. Without a message, but with
a claim: with sounds and rhythms, which are enough in themselves and at
the same time point to something else." (Bert Noglik).
With Barre Phillips, once Kowald´s adored teacher, this masterly
trio will open some more shells
- in memoriam Peter Kowald.
Saturday, Nov 5, 8 pm
CONCERTS Auditorium / BG
FREEDOM OF SPEECH (FOS)
´Freedom Of Speech´ is a ´festival within the festival´,
a conjunction of three European Festivals for Improvised Music (TMM/Berlin
- Controindicazione/Rome - Interactivity Festival/The Hague), whose organizers
collectively
shaped this evening´s program.
COLLOQUIAL GERMAN (Germany)
Wolfgang Fuchs (cbcl, bcl, ssi)
Axel Dörner (tp)
Thomas lehn (analogue synthesizer)
DJIllVibe, aka Vincent v. Schlippenbach (turntables)
This newly formed electro-acoustic quartet of some of the finest German
instrumentalists disposes of an unusual improvisational potential, developing
on the background of their individual musical approaches and differing
performing experiences to eventually creating a common language: Colloquial
German.
DJIllVibe´s performance is a first appearance at TMM.
BUTCHER/ELLIS/SPERA (GB/Canada/Italy)
John Butcher (ts, ss)
Lisle Ellis (b)
Fabrizio Spera (dr, perc)
A ´classic´ instrumental line-up which nevertheless has discovered
many intriguing seams to mine, far beyond traditional ´standards´.
Together they evolve an organic and impeccable sound vocabulary based
on virtuosity and creativity.
For the first time performing at TMM in Berlin is the Canadian bass-player
Lisle Ellis, who has also collaborated with pianist Paul Plimley, Paul
Bley, Marilyn Crispell, Cecil Taylor, reedist Jimmy Lyons, Steve Potts,
Glenn Spearman, drummer Andrew Cyrille and the late Denis Charles.
MOIRE
An installation by LUST / LOOS (NL)
Defining space, experiencing pressure and release through image and sound.
Dmitri Nieuwenhuizen (Studio LUST)
Thomas Castro (Studio LUST)
Peter J.A. van Bergen (live electronics, computers, ss, ts, ascl, bcl,
cbcl, EWI)
Huib Emmer (live electronics, e-guit)
Gerard Bouwhuis (p, keyboard)
Patricio Wang (e-guit), bass-guit)
Johan Faber (perc, marimba, vibes)
Concept/design image: LUST
Concept/design sound: LOOS
Production/realisation: LUST/LOOS
Relation towards ´Freedom Of Speech´: The human mind a world
of suppression.
Imagine a space filled with thick fluid. Each visitor who enters that
space generates circle shaped waveforms with every step taken. The waves
slowly expand, as if they were dancing. Each wave generated is reflected
against any other object in the space, whether it be another visitor or
the walls of the space itself. Each time they reflect, a counter movement
is generated multiplying the waves already present. The overlapping of
waves will cause a moiré effect. They act to define the space.
The waves are linked to a quadrophonic sound system which will emphasize
the visitor´s notion of his or her position within the space - a
reference to similar metaphors such as the navigation of bats or the use
of radar among submarines. The generated sounds/music will be directly
related to the shape and movement of the positional waves. Slowly builded
and developed circles and ´waves´ of overtones, starting from
and moving between the surround soundsystem, will give the visitor an
auditive and physical sensation of being moved, taken, captured, pressed
and released.
TheLOOS-Ensemble is the leading formation of the LOOS Foundation under
the direction of composer and multiinstrumentalist Peter van Bergen. Since
the late 1980´s this exceptional and highly specialised group initiated,
generated and developed an extensive and impressive repertoire of contemporary
music. In 2000 the LOOS Ensemble received the prestigious GeNeCoPrize
(Dutch Composers Award) for ´exceptional merits in Contemporary
Music of The Netherlands´.
The musicians of the ensemble have an enormous experience in the performance
of all kinds of contemporary composed music, played in all major ensembles
of The Netherlands, and had been closely involved in the development of
the famous The Hague School, a very specific direction in Dutch contemporary
music. The LOOS Ensemble is in its performing style and repertoire choices
closely related to a specific direction within The Hague School, and is
generally seen as its most prominent contemporary representative.
The incorporation of live electronics (analogue, digital, or computer
controlled) and confrontation with other disciplines in art by the LOOS
Ensemble adds a new dimension to the compositional results of the Hague
School of the past.
Sunday, Nov 6, 11.30 am
EUROPEAN FILMPREMIERE Auditorium / BG
CECIL TAYLOR: ALL THE NOTES (USA 2004/2005)
Documentary film, 72 minutes, colour
Produced and directed by Christopher Felver
The director will be present for Q/A.
Christopher Felver is an artist of many trades. Filmmaker, photographer
and fine artist, just to name a few. He lives in Sausalito, CA.
"It took me a decade to make the 72-minute work because it all had
to be done on the fly. Cecil is a very private person, and he would never
answer direct questions, and he wouldn't pose for interviews. I had to
´trap´ him into talking. I had to have the camera ready when
I knew he was willing to talk."
It was enough for Felver to capture, in breezy fashion, key essences of
one of the true giants of post-war music, a man whose playing the late
classical piano icon Glenn Gould once described as "the most formidable
pianism these ears have heard: This is the great divine of American piano
playing."
WORKSHOPS (3 hours daily)
Workshop 1:
Percussion-Workshop with Mohammad Reza Mortazavi (Nov 3 - 5)
For beginners and advanced musicians. Ensemble work & percussion techniques.
Please bring along your percussion instruments
Mohammad Reza Mortazavi (tombak, daf) l) is living in Berlin
and Iran. Had been awarded in 2003 with the Rudolfstädter Newcomer-Music
Prize ´Ruth´.
The 27 year old musician is an experienced teacher especially for graduates.
Nevertheless he is willing and interested in meeting and training also
beginners.
Workshop 2:
Multimedia-Workshop with Gino Robair (Nov 3 - 5)
Group improvisation in a multimedia environment
In this workshop, we will create a multi-movement piece that combines
open-ended structures and free improvisation. The result will be somewhat
of a ´guerrilla opera´, using conduction (hand cues), graphic
scores, and memory-improv structures. The workshop is open to any type
of artist: musicians, dancers, painters, photographers, videographers,
sculptors, and computer-based artists. We will focus in particular on
strategies for interdisciplinary group interaction.
The literary element of the workshop is based on the writings of Norton
I, Emperor of the United States and Protector of Mexico. Norton declared
himself emperor in 1859 and promptly abolished Congress, decreed bridges
be built over the ocean, and printed his own money. Consequently, the
piece may have a political subtext that resonates with the current geo-political
situation. The words, letters, rhythms, and structure of Norton´s
texts will be used as source material by each performer.
Gino Robair (dr, perc, live electronics) works with percussion
and electronics and is based in San Francisco. He has created music for
film, television, radio, Shakespearean theater, and gamelan. Gino has
recorded with Wolfgang Fuchs, Anthony Braxton, Tom Waits, John Butcher,
Otomo Yoshihide, Eugene Chadbourne, and Terry Riley, and performed with
John Zorn, Nina Hagen, and many others.
Workshop 3:
Free Improvisation with Urs Leimgruber (ts, ss) and Jacques Demierre (p)
(only Nov 4)
In this workshop on free improvisation as ´instant composing´
pianist Jacques Demierre and reedist Urs Leimgruber propose to work collectively
as well as in small groups.
Urs Leimgruber (ts, ss), ), b. 1952 in Lucern. Is living
in Paris since 1988. Has been active for many years in the areas of contemporary
improvisation, composition, jazz, and new music. Touring West- and Eastern
Europe, USA, Canada and South America, he had appeared at concerts an
on recordings with musicians like Steve Lacy, Joe McPhee, Louis Sclavis,
Hans Koch, Françoise Kubler, Pauline Oliveiros, Harry Sparnaay,
Herb Robertson, Daunik Lazro, Jacques Demierre, and many others. Urs has
also performed extensively as a soloist and has been involved in mixed
media presentations, providing music for dance, radio plays and film.
Jacques Demierre (p), b. 1954 in Geneva. His main activities
comprise composed and improvised music, jazzpoetry, performances and sound
installations. He composes for theatre and film, dance and contemporary
chambermusic ensembles. Is regularily performing as solo artist
All workshops will be held at the Academy of Fine Arts / Akademie
der Künste (Clubraum), located at Hanseatenweg 10, 10557 Berlin-Tiergarten.
Public transport: U-Bahn Hansaplatz, S-Bahn Bellevue, Bus 343.
The schedule will soon be announced.
Workshop 1 (M. R. Mortazavi): Euro 75.00 (incl. Festival-Pass*: Euro
110.00)
Workshop 2 (G. Robair): Euro 75.00 (incl. Festival-Pass*: Euro 110.00)
Workshop 3 (U. Leimgruber / J. Demierre): Euro 35.00 (incl. Festival-Pass*:
Euro 80.00)
Registration
form Workshops
* The Festival-Pass is valid for all TMM-concerts at the Auditorium
on Nov 3, 4, 5)
and for attending all exhibitions at Berlinischen Galerie, opened until
midnight during TMM
Opening hours of Berlinische Galerie: 12 am - 12 pm (Nov 3 / 4
/ 5 ); Sunday 10 am - 6 pm (Nov 6)
Please note:
The Opening Concert of the Markus-Lüpertz Ensemble TTT at
7.30 pm on Nov 3 presented in the Main Exhibition Hall of BG as well as
the filmscreening of ´Cecil Taylor: All The Notes´
(USA 2004/2005, produced & directed by Chris Felver) at
11.30 am on Nov 6 presented in the Auditorium of BG will be extra-charged.
For all Workshop-participants and Festival-Pass-owner we offer
a reduced ticket-price of Euro 10,00 for the Opening Concert on Nov 3rd.
Tickets for the Film-Matinée (director Felver will be present
for Q/A) on Nov 6, 11.30 am, will be available for a standard price of
Euro 5,00.
Single evening ticket: Euro 18.00
valid for all concerts at the Auditorium / BG plus all exhibitions at
BG (12 am - 12 pm)
Single ticket Opening Concert: Euro 15 00
valid for Opening Concert only plus all exhibitions at BG (12 am - 12
pm)
Single ticket Filmscreening: Euro 5.00
Festival-pass: Euro 50.00
valid for all concerts at the Auditorium / BG on Nov 3, 4, 5 plus all
exhibitions
at BG (12 am - 12 pm)
Festival-pass + Opening Concert Main Hall: Euro 60.00
valid for all concerts at the Auditorium / BG on Nov 3, 4, 5 plus Opening
Concert plus all exhibitions at BG (12 am - 12 pm)
Festival-pass + Opening Concert Main Hall + Filmscreening: Euro
65.00
valid for all concerts at the Auditorium / BG on Nov 3, 4, 5 plus Opening
Concert plus filmscreening plus all exhibitions at BG (12 am - 12 pm)
Workshops: Euro 75.00 (Workshop 1 or 2); Euro 35,00 (Workshop
3)
Workshop + Festival-pass: Euro 110.00 (Workshop 1 or 2)
valid for all concerts at the Auditorium / BG on Nov 3, 4, 5 plus all
exhibitions at BG (12 am - 12 pm)
Workshop + Festival-pass: Euro 80.00 (Workshop 3)
valid for all concerts at the Auditorium / BG on Nov 3, 4, 5 plus all
exhibitions at BG (12 am - 12 pm)
Workshop + Festival-pass + Opening Concert Main Hall: Euro 120.00
resp. Euro 90.00
valid for all concerts at the Auditorium / BG on Nov 3, 4, 5 plus Opening
Concert plus all exhibitions at BG (12 am - 12 pm)
All tickets available at the counter of Berlinische Galerie.
Ticket sale starts Oct 25
Ticket reservation
E-Mail
or
Fax: +49 (0) 30 - 324 94 31
Registration
form Workshops
TMM-Contact / Producer:
FMP FREE MUSIC PRODUCTION
Distribution & Communication
Helma Schleif
Markgraf-Albrecht-Str. 14
10711 Berlin
Tel. 030 - 323 75 26
Fax 030 - 324 94 31
fmp.distribution@t-online.de
www.fmp-online.de
www.free-music-production.de
Festival venue:
Berlinische Galerie. Landesmuseum für Moderne Kunst, Fotografie und
Architektur
Alte Jakobstr. 124 - 128
10969 Berlin-Kreuzberg
Tel. 030 - 78 90 26 00
Fax 030 - 78 90 27 01
bg@berlinischegalerie.de
www.berlinischegalerie.de
Public transport:
U-Bahn: U1 Hallesches Tor / U2 Spittelmarkt / U6 Kochstr./Hallesches Tor
Bus: 265, M29, M41
TMM in Co-operation with
Berlinische Galerie. Landesmuseum für Moderne Kunst, Fotografie und
Architektur
Prof. Dr. Markus Lüpertz
Druckatelier Margull
Akademie der Künste / Elektro-akustisches Studio
Berliner Künstlerprogramm / DAAD
Total Music Production (TMP) Berlin
Förderverein Improvisierte Musik e.V.
TMM-Commitee
Helma Schleif (Organisation/Program)
Wolfgang Fuchs (Artistic director)
G. Fritze Margull (Program counselor)
TMM-Mentors
Prof. Jörn Merkert (Berlinische Galerie) / Nele Hertling (Berliner
Künstlerprogramm DAAD) / Alice Ströver (MdA, Fraktion Bündnis
90/Die Grünen, Vors. Ausschuss für kulturelle Angelegenheiten)
/ Prof. Claudia v. Alemann (Alemann Filmproduktion) / Prof. Urs Jaeggi
(FU Berlin, Autor, bildender Künstler) / Dr. Volker Hassemer (Kultursenator
a.D., Projekt Forum Zukunft Kultur) / Hans-Joachim Hespos (Komponist)
/ Dr. Raimund Janz (Mathematiker)
TMM is under the auspices of
Prof. Dr. Rita Süssmuth (Präsidentin des Deutschen Bundestages
a.D.)
TMM-Team
Hrólfur Vagnsson (sound engineer) / Carsten Klopfer, Martin Buricke
(stage) /
Josef Abdel-Wahed (light) / Ingeborg Ermer, Anette Merz, Werner Merz,
Susanne Röwer, Marianne Wagner-Simon, Bahar Naderi, Werner Meyke,
John Rottiers (media) / Klaus Untiet (printmedia) / Rüdiger Lautenschlag
(logistics) / Claudia von Alemann (filmdokumentation) / Christopher Felver,
Ingo Kniest (festivalphotography)
Plakatmotiv/Cover motive program brochure: Markus Lüpertz:
Unser täglich Brot III, Dithyrambisch, 1972
Leihgeber: Hans Peter Hallwachs
We thank Prof. Dr. Markus Lüpertz and Hans Peter Hallwachs for their
generous assistance.
TMM is supported by
Senatsverwaltung für Wissenschaft, Forschung und Kultur
TU Berlin
Netherlands Culture Fund, Gaudeamus, Donemus, Dutch Jazz Connection
Botschaft des Königreichs der Niederlande
Canadian Embassy
Pro Helvetia
Pianohaus Klatt
Fa. Bösendorfer
Fa. Lubke
Skoda
MerzMusik
Büchergilde / Buchhandlung am Wittenbergplatz
Oktoberdruck
Hofmeister Backstube
Der Erste Stock e.V.
Deutscher Tonkünstlerverband
Controindicazione, Rom
Institut für Improvisation, Den Haag
Alemann Filmproduktion
JazzFest Berlin
Media partnership
Freitag
taz
Radio Centraal
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